![]() ICC profile in a film scan doesn't just tag the file with the name of the. Is it correct to say, then, that "embedding" an. Just like all you need is the profile your scanner software embedded in the file before you edited it. That’s all that’s needed is the embedded profile. The end user should have the color profile they need to interpret the file you give them as long as you embed it in the file. They’ll have to do their own interpretation of the data in the file and who knows what that will look like. You don’t need to install the icc profile for your scanner and film on other devices in order for them to see your files, that’s the icc profile that the os is using to communicate the colors to whoever’s monitor and if they try to use your scanner’s profile for that the colors will look messed up because the monitor can’t display those colors.īefore you send your files to anyone else or look at them on other devices besides the one you use to edit your photos (in ps or lr or whatever) you need to convert them to a common color space like sRGB or else other devices won’t know how to interpret the color the way you’re seeing it in photoshop. Then the output of photoshop gets interpreted by your operating system into the color space required by your monitor using the icc profile that you have your os set to use so that you can see it on your monitor. I assume lightroom does this but with less options I don’t use lightroom. Photoshop has its own working color space into which the data from your file is interpreted vis a vis your embedded profile. You can and definitely should embed the icc profile of your film and scanner combination in the files you produce but that doesn’t mean that photoshop is going to display the file in that space. Hoping someone can sort me out! Many thanks! ICC file, and display colors correctly? Or does it simply use a single, canned profile for all images (e.g., Adobe 1998), irrespective of embedded profile? That has me wondering: Is Lightroom able to read the name of an embedded profile, look up its corresponding. ICC profile for an open image, as well as offer options for converting the image to a different profile (i.e., Edit>Color Settings), but don't see a similar option in Lightroom. Photoshop is conveniently able to show a user the active.Does Photoshop just resort to using a default, generic profile (e.g., sRGB, Adobe 1998, etc.) in a case like that? ICC profile hasn't yet been installed on the computer system more generally, how do other applications handle interpreting the colors? Presumably, an application like Photoshop can at least still see the name of the embedded profile, but won't know how to interpret the colors owing to the fact that it (Photoshop) doesn't have access to the instructions contained in the custom. As a related follow up: If that custom.ICC profile in question also need to be installed on the computer system more generally (i.e., Windows>System32>spool>drivers>color) for other applications (Photoshop, Lightroom, etc.) to know how to correctly display colors in the image? If I scan a piece of film and have the "Preserve Embedded Profiles" option active in the Color Management policies for the scanning software, does the custom. ICC profile for a certain film type (e.g., Velvia 50) on a certain scanner using an IT8 target. I've read a great deal about ICC workflows online and have tried to make sense of it all, but the explanations frequently seem a bit impenetrable (lots of vague, jargony language) and I'm usually left with a sense of not knowing what exactly is going on "under the hood" between different applications is the workflow. ICC profile for a film scanner gets handled when a film scan is opened in Photoshop and Lightroom. ![]() I'm a little confused about how an embedded custom.
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